![]() You can get a Rode Procaster at around $230, whereas its rival, the AT2020, goes for nearly $100. The Rode Procaster sells at over double the price of the AT2020 mic. Thus, the mic is best suited for use in treated rooms or recording rooms with minimal background noise. Even with its cardioid polar pattern, the sensitive nature of the mic picks up undesirable sounds from the surrounding. In contrast, the AT2020 is an active listener, making the mic very sensitive to sounds. You can use the mic in an untreated room, and the mic will only detect the sound directed to it while ignoring all other sounds from the environment. The Rode Procaster is a passive listener, and when combined with its cardioid polar pattern, it becomes very effective in rejecting ambient background noise. It would be best to include both an external shock mount and pop filter to take advantage of the capability of this microphone to produce professional sound. Moreover, the mic is relatively silent, generating minimal self-noise. The mic lessens the pop’s effect and delivers unmatched sound quality when streaming. With its extended frequency and first-class transient responses, the mic efficiently reproduces various sound sources, including speech, vocals, and instruments. The mic naturally handles high SPLs and captures loud sound smoothly with the slightest noise and misrepresentation. It is more versatile than the Rode Procaster in producing studio-quality audio. The AT2020 is a side-address mic offering a much-admired sound quality. ![]() It will reduce the amount of gain required from your preamp, thereby lessening the sound distortion. Since the higher the gain, the more noise and coloration you add to the audio, you require a high-quality preamp to maintain a smooth and clear sound.Īlternatively, if you are using an entry-level preamp, it is best to incorporate a Cloudlifter in your setup to boost the sound before reaching the preamp. ![]() Unfortunately, the mic has a low input sound, requiring a lot of gains to boost the sound to a decent level. These features, plus the mic’s voice frequency response, enable it to produce a clear and crisp sound. The built-in shock mount aids in ensuring the mic is silent when transmitting sound. It has an internal pop filter, but you can still add an external one to support reducing the effect of plosives. The Rode Procaster mic is tailored to capture speech accurately with negligible disparity. You can introduce outboard gear like a DBX286s or Neve 5017, and record multiple XLR mics much easier by using a USB Mixer or a multi-channel USB Audio Interface.Rode Procaster microphone on an arm Clarity Rode Procaster This makes the option potentially more expensive than the USB option, but it allows you more granularity in your set up. XLR microphones on the other hand require an XLR to XLR cable and a USB audio interface. Once you start getting into live processing of your audio or if you’re recording multiple microphones onto the same computer, this can become a limitation, and that’s why I have included only USB mics that include an XLR output as well. USB microphones connect to your computer with a USB cable, and that’s it. This indicates how you will be connecting the microphone to your computer. Let me know on twitter if you would like me to make an article about my theories as to why Dynamics are better at rejecting background noise. This is important if you are recording in a non-treated room or if you’re in a studio where you’re positioned near another host. ![]() I have made this decision because dynamic mics typically pick up less ambient noise. You will find that on this list, the majority of microphones are dynamic. A dynamic microphone does not require phantom power, but a condenser microphone does. Simply put, this indicates if a microphone requires phantom power or not.
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